Defend The Darkroom

It was a real pleasure to speak with Thaddeus Holownia... the conversation really made me think about how I approach my photography practice but also how I think about myself and how I see. It was a lot of fun and I hope that you enjoy this conversation. http://traffic.libsyn.com/defendthedarkroom/DefendTheDarkroomThaddeus_Holownia-April_17.mp3 Please visit Thaddeus' two websites to learn more about his studio and Anchorage Press! His personal website....  https://holownia.com/ Anchorage press....  https://anchoragepress.ca/

I t was a real pleasure to speak with Sandy King . Our conversation got me motivated to get creative and to start thinking about my photographic practice (or during this time of quarantine: stay inside, start reviewing my portfolio and thinking about what I need to learn to help my practice move forward). I hope that you enjoy our conversation and it helps motivate you to get creating. http://traffic.libsyn.com/defendthedarkroom/DefendTheDarkroomSandyKing-April2_1.mp3 Please visit Sandy’s website …. www.sandykingphotography.com Biography… Sandy King is a photo historian and photographer of the landscape. He works primarily in hand coated photographic processes, including carbon transfer, molding a printing process of the early days of photography with contemporary tools of the digital age to create his unique form of art. As a fine art photographer Sandy has found, as have others, that making a photograph by hand is a fascinating adventure in which...

Welcome to Episode 3! It was a great pleasure to speak with Stephen Bulger this past month. I anticipated that this conversation would be filled with many interesting insights but I never thought that our conversation would inspire me to get back into the dark room! I hope you enjoy this episode and visit the Bulger Gallery soon!  (photo credit: Lutz Dille – “Three in a Window”. 1959)  Stephen Bulger (born Toronto, 1964) engaged in photography as a hobby throughout his youth. Eventually studying at Ryerson University’s School of Image Arts, he became interested in the history of photography and began organizing exhibitions. He was asked to be the founding director of the Ryerson Gallery (located at 80 Spadina Ave., Toronto) where he sat on the exhibition review committee and managed over thirty exhibitions. After graduating from Ryerson in 1991, he worked in the photography department of the Ontario College of Art and began working on the idea of...