David Morrish
David Morrish’s career is
definitely unique – starting in architecture, moving into carpentry, then
photography, throw in some print making all the while creating an epic
collection of… things makes for a great story. I love how his every day is an
exploration in creation.
In 2007, I attended a lecture by
David Morrish at the University of Calgary. At that time, I was struggling with
how to print images using alternative photographic printing techniques and here
was a photogravure master! The passion and knowledge that he had gave me the
courage to continue and hope that this crazy journey I was on was worth it.
Learning about his use of found
object, the creation of a Wunderkammen, his love of creating narrative and an
ever apparent sense of humour gave me so many great ideas for my own practice.
I can’t wait to see where he goes next.
I hope you enjoy our
conversation.
A short biography….
Morrish has exhibited traditional
copper-plate photogravure prints since 1996, nationally and internationally:
Japan, Taiwan, China, S. Korea, Thailand, Sweden, Ireland, USA, England, Italy,
and Canada. Notable photogravure work includes portraits of distressed
taxidermy and landscape panoramas of the limestone alvars of Newfoundland and
Ireland. His artist’s limited-edition book-works, GAZE and DIED use
copper-plate photogravure and letterpress under his imprint: DeadCat Press. DIED includes a rare four-plate CMYK
color copper-plate photogravure. Recent research explores animal and human
mortality, faux biography, provenance, collections, and the museum archive
through the construction of an immersive Wunderkammer, The Lyric Cranium, that was the catalyst for on-going works on
paper, artistamps, potential video, and other ephemera.
Morrish currently (2019) lives in
Prince Edward County, Ontario, and has re-located his studio and print shop to
continue DeadCat Press and Obelus Publishing at Residue Studio.
For more, go to http://www.davidmorrish.com
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